Friday, June 20, 2008

See Ya All Tommorow!

Saturday is our FIRST Photo Book Club Meeting! I am so excited to see you all again! Have you taken all of your "OLD" black & white photos yet for your book? Or will you be taking them after you make your book? Either way is great. I hope the articles on B&W photography have helped to inspire you this week.
See in the morning!

Thursday, June 19, 2008

Another Article on B&W Photography. . .

I hope you will enjoy this one - Be sure to follow some the links embedded in the article

The Top 5 Black & White Photography Tips
»By Brian Auer • November 5th, 2007

Black & white photography, for me, is one of the most interesting and inspiring aspects of this art form we call our hobby and passion. It’s raw & refined, natural & unusual, bold & subtle, mysterious & open, emotional & impassive, simple & complex, black & white & everything in between. The monochromatic image has been with photography since the beginning, but what began as the only way to capture images has turned into something much deeper.
Interested in stepping-up your black & white game? Here are five tips to get you going in the right direction. If you want to learn more about the actual black & white conversion process in Photoshop, see my past entry that lays out 12 Ways to Make a Black & White Photo.

PRACTICE PRACTICE PRACTICE
An experienced black & white photographer can see the world without color. They’ve trained their mind to pick up contrast and tone while blocking the distraction of colors. This isn’t a skill that you can pick up in a short amount of time; it’s something that comes naturally in time. I can’t say that I’m gifted enough to have monochrome vision, but I have been able to notice certain scenes and subjects that would lend themselves to black & white.
One way to help train your brain is to make a conscious effort — in other words, practice. Trevor carpenter gave us the perfect example when he started his October Challenge. Basically, he decided to limit his photography to black & white for an entire month. This gave him a chance to experiment with the medium and learn from his own work, and in his project recap he states “I have found, especially in recent days, that as I’m shooting and conceiving a shot, I see the potential impact of the composition in black & white.”

FOCUS ON CONTRAST
Black & white photography is about the black, the white, and all the tones in between. The human eye is built to pick up two things: light intensity and color. When you remove the color, your eyes become more sensitive to the light intensity. We naturally pick out areas of contrast — it’s how we distinguish one thing from another. As a black & white photographer, your main objective is to make your point with shades of gray. Use contrast to show your onlookers what’s important and what’s not. Seek out scenes that naturally show signs of high contrast, and your black & white photos will be more compelling right from the start.
When post-processing a black & white image, the use of Photoshop techniques like levels, curves, and layer blends give you a wide variety of output options. In addition to these things, burning and dodging are highly effective methods of improving contrast. They work so well because they allow you to focus the edit on a localized portion of the image without affecting the surrounding areas.

FOCUS ON TEXTURE
Texture is really just a form of contrast, but it is perceived quite differently. If you think about it, texture is the regular or irregular pattern of shadows and highlights at various intensities. Black & white photos really lend themselves to texture because color generally add another layer of complexity, thus masking most subtle textures. Look for areas of interesting texture that can be photographed by zeroing in on specific surfaces and examining them for signs of patterned contrast.
The choices you make in post-processing can really make a difference in the texture too. During the black & white conversion, you can usually pull texture out of otherwise smooth surfaces based on your choice of conversion methods. In digital photos, blues and reds generally contain more noise than greens, so tools like the channel mixer and the black & white adjustment layer in Photoshop can really accentuate those embedded textures.

CAPTURE IN COLOR
This is mainly aimed at digital photographers… If your camera gives you the option of shooting in color or black & white, NEVER shoot in black & white. The camera is really capturing color, then converting to black & white. Photo editing software can do a much better job at the conversion, and you’ll have more flexibility on the output of the final image. It’s really amazing how different a photo can look solely based on the post-processing, so it’s best not to limit yourself before the photo even makes it out of the camera.
The one exception to this rule is if you wanted to use the black & white capture to give you a preview of what the scene might look like as a monochrome image. It may help you identify good black & white scenes more immediately, but once you find your shot switch back over to color capture and shoot it again.

USE COLOR FILTERS
Black & white film photographers make use of color filters to change the captured tones in their photographs. Ever see those monochrome images with dark skies and puffy white clouds? That’s not natural; it requires the use of color filtering to produce the desired effect.
Using an actual color filter with a digital camera is perfectly acceptable and it has its merits, but it’s not completely necessary. Software like Photoshop has the ability to apply non-destructive color filters. It also has the ability to produce the same results as a color filter during the black & white conversion. For those of you using Photoshop CS3, you’ll see that the black & white adjustment dialog has several preset filters that can be applied and modified to suit the photo.
So if you’re interested in pursuing a little black & white photography, really think about these things — before, during, and after you shoot. Anybody can produce black & white photos, but it takes a little more thought and skill to produce good black & whites.

Wednesday, June 18, 2008

What a HAPPY DAY!!!!!

My camera came home tonight! Not till after 7:30, but I still had a couple of minutes to take a couple of photos. I can't tell you how much I missed my camera!


Since it is Black & White week around here I decided to post my "welcome back" photo in black & white.

I hope you are all had as good a day as I had!

Monday, June 16, 2008

More Black & White Photography Tips


Tips for Black and White Photography
By SLR Today
Published 08/25/2006

How to Take Better Black and White Photographs

Black-and-white photography has become increasingly popular once again. When color photography first burst upon the scene, black-and-white photography fell out of favor. It was seen as "old" and "out." But in recent years, we are rediscovering the beauty of black-and-white, and today we admire the power and purity of black-and-white images.
Here are some important elements to consider in taking black-and-white photographs.

Subject
Choose your subject carefully. Some subjects that look interesting in color look dull in black-and-white. On the other hand, black-and-white can create an unexpectedly intimate portrait or transform a simple scene into a dramatic moment.
Photographs of people look especially good in black-and-white. More and more people are having their wedding pictures taken in black-and-white because it makes the photographs look timeless and therefore more romantic. Black-and-white photographs of couples on honeymoon or on vacation can be equally captivating. Whereas a color picture might be a mere record of a trip, a black-and-white photograph captures emotions and impressions with unusual power. When you're in a festive or exciting place, your first instinct might be to take color pictures, but if you've ever seen a black-and-white photograph of a man kissing a woman on a beach, you know how much more compelling a black-and-white photograph can be.
Black-and-white photographs of children and babies are also very beautiful and sentimental. Children grow up, and babies won't be babies forever, so the nostalgic atmosphere that black-and-white photographs create is especially appropriate.
When you're taking black-and-white photographs of people, it is better if they are dressed simply and in solid colors, not in prints. The fewer the elements in a black-and-white photograph, the more dreamy or dramatic it will be.
Buildings, landscapes, and other scenes are also valuable subjects in black-and-white photography. Keep an eye out for the unexpected. The way the light falls on a table, the shadow of a bicycle on the ground, or the swaying of a tree in the wind could be the subject of your next black-and-white masterpiece.

Background
Make sure the background does not distract from your subject. Sometimes moving your subject a few feet to the right or left is all that you need to eliminate unnecessary elements from your photograph. If that doesn't work, try taking the picture from a different angle.
Light and shadow
You could say that light and shadow are all there is to black-and-white photographs. That's why it's so important to use them to your advantage. Take pictures of the same scene at different times of the day and you'll see how important light and shadow are to the mood of a photograph. You can also experiment with different qualities of light. For example, take a picture of a fence on a bright day, and take another picture of the same fence on a foggy day.

Colors
Some colors that are eye-catching in a color picture can get washed out in a black-and-white photograph. The same thing can happen with color combinations. For example, red and green look striking together, but in a black-and-white photograph, the two colors are nearly indistinguishable. It all comes back to subject. Choose a subject that looks interesting or dramatic in black-and-white and does not rely on color for its beauty.

Shapes
Precisely because of its lack of color, black-and-white photography relies greatly on shapes and lines to provide interest. A black-and-white photograph that is all straight lines can look modern and architectural, but it can also look flat. A subject that incorporates slanting lines, crooked lines, or curves generally looks interesting in black-and-white.

Texture
Like shapes, textures are very important in black-and-white photography. The surface of a straw hat has more visual impact than the surface of a baseball cap. If you're taking a picture of your small son, consider dressing him in a cable-knit sweater instead of a T-shirt.

Perspective
In photography, perspective is one of your best friends. It can help you tell a story, suggest relationships, and bring a boring subject to life. The black-and-white photograph of straight lines mentioned above won't look flat if you take it from an unusual angle. If you're photographing a wall of windows, stand near the bottom of the building and point your camera up. If you're taking a picture of your new puppy, stand over it with your camera, and it will look very small and sweet.

Remember, black-and-white photography is beautiful because it creates images that are so personal and meaningful. Experiment with it and have fun with it. A few years from now, when your children are grown and you've moved to a different town, you'll be glad you made the effort to capture what was around you, when it was still around.

Sunday, June 15, 2008

I want to inspire you to go back to BLACK.


Since our very first Photo Club meeting is this coming Saturday, and since our theme is OLD and your photos all need to be in black and white, I am dedicating this week to articles on B&W photography. These articles will be full of information and tips on how to get those great, classic B&W photos.

The articles will be from some of my own personal writings, while others will be articles I have collected from some very knowledgeable photographers. I hope you will enjoy reading them and trying out some of the tips. Be sure to check back often this week.

There is also a great tutorial link about converting your digital images to B&W in Photoshop HERE
How To See In Black & White Article:

Digital Camera Magazine (UK) has a useful feature in their October issue on Black and White photography. It contains a lot of good information - but one of the topics that they cover was on how to ’see in black and white’.

In it the author shares 4 ‘key ingredients’ of that will help you to visualize whether a scene will work as a black and white image or not. The titles below are from the article - the thoughts are mine (and I’ve added one of my own tips too).

1. Look for Contrast
One of the elements that can give interest to a black and white shot is contrast. Because you can’t use color to distinguish one element of your image from another the tonal variances become all the more important. This doesn’t mean you need to look for stark contrasts in every shot you want to convert to black and white - the subject matter will come into play here - but you should ponder how the contrast will come into play when composing your shot.

2. Wait for the Right Light
Linked to contrast, the lighting in a black and white shot can be very important. For example - h3 or direct lighting will often add to contrast. Side lighting will reveal any texture that a subject might have (and in portraits will accentuate features) and light from any one direction will create shadows. All of these techniques can add interest to a black and white image - however they can also be distracting - so play with light with care.

3. Shapes and Patterns
Patterns or shapes that can sometimes almost go unseen in color (due to the color itself drawing attention) can come alive in a black and white shot. Black and White shots that rely upon pattern can often take on an abstract quality.

4. Capture Texture
I’ve already mentioned this above when talking about side lighting - but revealing the texture of a subject can add a new dimension to an image. The sidelight does this by creating shadows.

A Tip for Black and White Landscapes
One more quick tip of my own for those wanting to try black and white landscape photography:
When shooting black and white landscapes look for ‘active skies’. I was given this advice by a photographer a few months ago who showed me some examples of his own black and white landscape work. The skies in his images were breathtaking with wonderful cloud formations and what often looked like storms about to break. Having skies with so much ‘action’ in them added mood and a really dynamic look and feel to his images. Without this active element the images looked rather empty and dull. I think the same principle could be applied to most types of black and white images that have large parts of them dominated by any one thing. If a large part of your image is all the same tone the image can look quite lifeless (unless of course you’re going for a more minimalist look.
Quote of the Day:
Black and White photography is about getting back to basics, using tone, mood and shade to convey your message.

Happy Father's Day!

Are your camera's out and ready to capture the day? I sure hope so. As I said before mine is in the shop - boo hoo.
Make sure you take the time to capture a memory today with your Father. And if he is no longer with you, take time to remember a favorite memory of him today.
Here is the last photo ever taken of my Doodle (my dad) it was taken on Easter Sunday 1991. Had I known that I only had 4 more months with him I would have taken more pictures of him. I guess that is why now I take pictures everyday and of every little thing. You just never know. . . .
Excuse the terrible picture and enjoy your day!!!!!!!



Saturday, June 14, 2008

The 1st Photo Book Club is Upon Us!!!!

Just a reminder that next Sat (June 21) is our first Photo Book Club! There is still room and time for you tp sign up if you haven't already. Please call the store (623.847.2215) by this Wednesday if you want to be a part of the first meeting and make our pretty, Black & White book.



Don't worry if you have not gotten your photos taken yet - you can do it after you make the book. But by all means if you have your photos already please bring them with you! You will also get the next assignment at the meeting for our August 16th meeting. This way you will have 2 months to get your photos taken and printed.


Remember our assignment this time is "Old". Anything or anybody that is old, aging or showing the effects of time. Once you have taken all of your photos have them printed out in black & white. Black & white prints really show all of the details and adds to that "old" feeling.


I am asking you to take a minimum of 14 shots for this assignment.The album we will be making can easily hold 32+ photos (if you want to use the front an back of each page). When you have your images printed you need to take the print size into consideration as well. The pages of the album are 6" wide, so a standard 4x6 print will fit on your page but not leave you any border room on the width of a landscape photo. Remember that you can ask your lab to print your photos at 3.5x5. They all have the ability to do this size, but only do it as a special request. But if you don't need a border around your photos go for the standard 4x6 size.


I hope to see you all there! Be sure to call the store or drop me a line if you have any questions. And get that camera back out and start on your assignment.


Ideas for places to get "OLD" photos. . .
* Old Town Glendale
* Antique Shops
* Thrift Shops
* Take a drive up north and cool off while you shoot in Prescott
* Downtown Phoenix
* Take your Husband to a car show
* Maybe even your Husband could be one of your "old" subjects? LOL
* Junk Yards
* Cave Creek Road


Be creative, have FUN and I am sure you will come up with lots of ideas!
See you soon,
Marta

Thursday, June 12, 2008

I am so sad!

Sunday afternoon I had to put my camera in the shop. I am just so lonely without it. And it seems like there has been lots I want to take pictures of since I put it in there. But I keep telling myself it is only for 2 weeks, and I will be so happy when it comes back all tuned up and cleaned!
So, what wonderful pictures are you takeing these days??????